Improv CrossFit from TEACHER: Gary Pearson
available later in the year (eight sessions) QEPCCC 2302 Bridge Road
Narratives need tightening up? Character details need bulking up? Are all your choices forced reps? If you have been spinning your improv wheels for a while and want to hit that stage at the top of your game, challenge yourself to cross fit your scene work to look great and burn up those boards like a pro. Each week Gary Pearson will attack weak spots with isolation exercises specifically geared to the group, so that at the end of the course you’ll do sets like an improv champ.
FOR MORE INFORMATION, please email email@example.com
Genre Giant. Gary Pearson. Fall, 2017
Master Classes Sunday afternoons from 1-3:30pm starts April 23rd.
Kevin Matviw (Second City/Death Ray Cabaret)
Jack Mosshammer (Second City/Man Seeking Woman)
Gary Pearson (Sunnyside/Corner Gas/MaddTV)
Nigel Downer (Second City)
Geri Hall (Second City/This Hour)
David Raitt (Second City)
Matt Folliott (Chadd Mallett/Filthy/Bad Dog)
Sage Tyrtle (Toronto Storytelling Show/High Stakes) JUNE 18th.
Jan Caruana: Musical Improv March 18, 2017 11-5pm
Jan Caruana has taught in class rooms and board rooms across the country. Hundreds of improvisers have benefited from her onstage experience and her passion for the art form. She has taught improv to students from Bad Dog Theatre, Second City, Sheridan College, the University of Toronto and countless Ontario School Boards. Jan was also the originating teacher for C.L.I.C.K – A collaborative learning program created by Dr. Trina Epstein, helping children with social challenges, including Autism Spectrum Disorder, learn social skills and make friends. In the Corporate world, Jan has worked with companies such as Rogers, B.I/Lilly Pharmaceuticals, Kiewit Construction and BMO, teaching executives that work can be a lot more fun and productive when you just “yes and”
Jan’s Class is SOLD OUT
“Where are you?” It’s a question most improvisers fail to ask themselves, keeping them and their audiences from the full theatrical and magical experience of improvisation. In this workshop you’ll reconnect with the essential skills of environment, object work, and physicality to make your scenes more active and visual. You’ll also learn how to use the Where as a source for character, conflict, and scene advancement. Master these skills and you’ll never be at a loss for what to do next!
8 sessions. $245.00. By permission of the Workshop Director only.
David Raitt has performed and taught with Second City, Toronto. David is known for his incredible mime and agility in scenes and we’re proud to say he’s one of our own.
May 29th, 2016 Parade Workshop & Show: Chad Mallett is a high energy, long form improv adventure performed by Matt Folliott and Ted Hallett. With a suggestion of a geographical location, Chad Mallett transports you there to witness the adventures of two buddies on vacation and the parade of odd ball characters and situations they find themselves in. Always a crowd favourite, Chad Mallett is a high energy joyride, a kid with rockets attached to his roller skates, or like three Red Bulls for breakfast. It’s go time! Love the Chad.
Carmine Lucarelli: Yes (March 29th).
Improve your “yes” by listening with more than your ears. Get bigger and bolder with your “and” by answering the question why. Be specific. Always. Also, I’ll likely give you personal notes to help you grow or possibly make you cry. But man, it will be committed and specific crying! SOLD OUT
Rob Norman: Callbacks & Connections: Intro to Longform (February 15, 1:30-5:30pm) Canadian-Comedy Award winning improviser Rob Norman, guides you through simple techniques used by professional improv troupes. No fluff, no philosophy – just practical tips and tricks to help you tell longform stories onstage tonight. Rob Norman has also written a new book on improv, Improvising Now
Lisa Merchant: Giving a S**t in Scenes September 28th 3-5pm3–time Canadian Comedy Award-winner, Lisa Merchant teaches us to make historical and emotional connections to the characters on stage to ground your scene and bring a achievable depth to the narrative. Students in this class will be invited to perform at the Moonshine Comedy Jam, 7:30pm September 28th.
Jan Caruana June 22nd 1-5pm “Voice: Use it or Lose it”As an improviser your voice is one of your most important tools. This class will take you through a full vocal warm up and show you exercises and technique to help you use your voice in a way that will keep it reliable for 8 shows a week. This class will also help you identify your voice‘s quirks and help you use them to your full advantage, as well as looking at habitual vocal behaviour that may be hindering your performance. The final part of the class will work on finding character voices that will help you on the road to building a character.
AJ Vaage April 27th 2-5pm Story What often makes an good improv scene into a great improv scene is the story telling behind it. This workshop will show how important it is to create a simple story when improvising. This will be a one day intensive that focuses directly on narrative in short form improv. It will work on strengthening the foundation of telling a strong, short story and creating individual points of view, while adding games on top of it.
Gord Oxley February 23rd 2-5pm “Improv Song” Take your scene work and schnazz it up with tunes. This introduction to improv song, will have you make it up as you crow along, using a number of fun rhythm- and singing-based games and exercises. Sounds like a song! Criteria: Permission of the Workshop Director
Rob Norman January 26th 1-5pm “Zen and the Art of Improv” There are four noble truths: 1) Scenes will ALWAYS be fraught with anxiety, fear, and the smell of farts. 2) There is a reason for this anxiety, fear, and farts. 3) There is way to overcome these anxieties, fears, and farts. 4) When you overcome these anxieties, fears, and farts – you will be a great improviser. Spend an afternoon breaking down boundaries and exploring your own impulses. Walk into scenes with a focus on fun, play, and exploration. Spend less time thinking onstage, more time enjoying the experience.